Zappruder Records -

Mirage

The Heat

Motel Music – Neon Blue Vinyl

RED EDITION IS SOLD OUT.

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Rendez-Vous – Vinyl

Don’t You Go EP

Nudes – White Limited Vinyl

Nudes EP - White Vinyl Limited Edition

The Lava – White Vinyl Limited Edition

We Were Above The Sun

First single of the London-based band Vrreeb.
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Colour Single

Name the distant sounding caller vows exotic elsewhere and organic melodies and dreamy pop.
To those who do not know, Mark Berg aka Tropic Harbour place the thread of a story with playful harmonies and offers Homeric evasion between Morrissey and The Smiths. With Colour and Golden Rays, the two titles of his first Single, Tropic Harbour built a world of colorful iridescent vapors and bright harmonies where nature takes its course. Creating the dream pop, Tropic Harbour is above all "A Place Where dream pop happens"

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Earmilk : "While the vocals mimic the pickups from the guitar they ease tension in their approach as they never seem forced or escalate beyond reason. Breaks are utilized throughout to accentuate the emotional tie of the lyrics which refer to being in a state of bliss with another."

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Shadazz : 20 names to follow in 2014 "I f Morrissey had made the Indie-Folk, it would have probably sounded like Tropic Harbour. The similarity between the voice of the leader of The Smiths and Mark Berg, initiator of this new project straight from Canada, is pretty amazing, even disturbing. this is carried out with beauty and originality. Tropic Harbour is according to Berg, "A Place Where dream pop happens"

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Vacarm : " The latter, with the first two tracks EP, sign the first painting of a dream world and sunny, the intersections of a light synth-pop and post-punk smiling, blending brilliantly catchy rhythms and catchy melodies , never ignore a somewhat melancholy air universe."

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Pause Musicale : "C'est une atmosphérique transe qui nous est proposé par cet artiste aux vaporeuses mélodies, qui esquisse de sa voix les grandes étendues où la nature sauvage est encore reine. Mélancolie suave et tempos envoûtants, à la manière de The Smiths, Tropic Harbour débarque et enivre intensément.

Zappruder Collection #2

Il faudra s’y habituer : à l’heure où l’on fête le beaujolais nouveau, on pourra désormais célébrer le dernier cru Zappruder. Pour sa deuxième compilation, le tout jeune et formidable label français donne sa vision de la pop conjuguée au futur. Bien sûr, on y trouve des synthés à foison : tantôt houleux et tournoyants (Equateur, Say Yes Dog), sucrés et solaires (Mount Analogue, Honey Bones) ou imbibés de bile noire (Opale, Candide), les mélodies sont toujours traitées avec une justesse insolente et un sens évident de la ritournelle accrocheuse.

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Un condensé d’electro-pop calibrée et raffinée, faite de guitares qui bourdonnent et qui bourgeonnent (Rendez- Vous, Roosevelt), d’instrus exotiques tissées avec des lianes (Goodbye Chanel, Tropic Harbour) ou de voix glacées saupoudrées de choeurs irrésistibles (The Bilinda Butchers, The Midnight Hollow). Trinquons à un avenir radieux donc, et à une certaine idée que l’on peut se faire de la pop.

Zappruder Collection #1

Escape In The Afternoon EP

Since issuing a clutch of 12”s in the late-noughties and the 2008 release of his debut album Where Were U In 92? - a rave-homage made using equipment from the period - Zomby has consistently proven himself to be a unique presence in an increasingly cluttered field.

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A purist and afficiando in the truest sense, he’s spurned every chance to board the EDM bandwagon to make a quick buck, instead preferring to stay faithful to the ideals of the music he grew up with. Following the success of his debut, it took him three long, thoughtful years to next break cover, this time with an altogether different record. Dedication (2011) was an after-hours meditation on mortality, weighed down with an audible sadness, and it was abundantly clear why he had taken time out. Not only did it deliver an unexpected twist, its surprisingly human qualities also offered a rare, candid glimpse of an artist who prefers anonymity and little fanfare. An accompanying seven-track EP (Nothing) followed six months later, acting both as an encore bow and cue to retreat back to the shadows.

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With Love is Zomby's third album. An astonishing 33 tracks that collectively trace an arc through dance music’s history, revealing an artist in his most creative phase yet. Touching upon rave, jungle, house, techno, and grime, Zomby once again marks himself as a genre savant free of the cosy nostalgia that weighs down many of his peers. Across two volumes that move invariably between a dancefloor focus and darkened emotional introspection, Zomby points to a different future.

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A sonic palimpsest written of true experience, With Love is the work of a producer who has absorbed the shifting textures and plains of electronic music first hand, and reconfigured them into a definitive, sprawling love letter to the soulful dance music of his past.